This is a closeup of my latest project line drying after the wet finishing step.
The warp was some cotton that I received from a generous weaving friend who was de-stashing and the weft was a crochet or knitting cotton that I found at a charity shop. The weft is slubby which can make for imperfect selvages that just for once might not be my fault.
The draft is modified from washcloths featured in Handwoven magazine Sept Oct 2008 which calls the structure a waffle weave treadling in a huck threading. I’m not so sure about the waffle weave part.
I wove the hem section using a very fine cotton that I picked up at a guild member’s de-stash garage sale. It was the first time I had woven hems using a much finer weft and the benefit is immediately apparent. I only wish I had very fine cotton in a shade other than green.
Each towel was woven with 1 1/2 inch hem sections and then 30 cm for the body of the towel. Yes a mixture of metric and imperial measurement but it works for me. The finished towels are small but thirsty and quick drying. The only concern is the longish floats but so far they haven’t been a problem in use.
I was so happy with these that I gave two towels to the friend who gifted me the green warp, put three towels into immediate use and then warped my Dorset folding loom for more of the same.
This scarf uses Bendigo 3ply for warp and weft and includes an ombre wool blend in the weft.
I love the drape and softness of this scarf but my next project will be focussed on achieving a better selvage. In attempting to avoid draw in I have gone too far in the other direction and have loopy selvages. My weaving mentor suggested weights on the selvages and I will also look at the angles and how snugly each pass fits at the edge.
When I spot 100% knitting yarn at a charity shop it’s hard to pass it up. The scarf on the left was woven with a deep red 8 ply wool in the centre and a variegated yarn (Shepherd Colour 4 Me) on the outer edges and as weft. The two colours I used as warp were not so much as design decision as a consequence of discovering that one 50g ball (at 90m per 50g) was insufficient for a scarf warp at 8 inches width in reed. If I’d done some calculations before starting to wind the warp I would have realised that 90m was insufficient but I learned through lived experience (as they say.)
Happily the addition of the additional colour in the warp made the scarf more visually interesting and appealing. Sett for this scarf was 7dpi in a 10 dent reed which gave the scarf a very soft hand and good drape. I finished the scarf with four strand braids which looks great but took forever to do. While doing it I resolved never to finish a fringe with this technique again as I got so tired of the repetition, but I must admit I do like the result,
Before the holidays I decided to do some stash busting because I had finally collected enough yarn to start another scarf using gifted and charity shop yarn of the same weight and in complementary colours. This time I chose 11 inches width in reed and a dpi of 7.5.
This blue scarf is now off the loom and ready for fringe twisting or knotting – I’m still considering which treatment to use. It is noticeably denser and heavier than the red toned scarf but I have in mind to gift it to a family member who is a tall man and I think it will suit him well.
Once again I had to make a design decision driven by a shortage of yarn. Problem number one was that the gifted dark brown/grey yarn had been moth damaged and was reduced to a single ply every 50m or so, necessitating frequent stops and starts while warping. Problem number two was that I ran out of weft yarn about 2/3 of the way from the end. Fortunately the weft yarn (Coaster yarn) is still in stock at Lincraft. I had to do an emergency dash to town to buy one more ball of yarn to keep the project running and get my loom cleared to start dressing the loom for the weavers guild annual summer school.
I had a lot of warp yarn left on the loom after my friend finished her wrap, but not enough to make another scarf without making some adjustments.
I decided to take the remaining warp off the loom and add more colours to it. I used fisherman’s knots to add in three new warp colours (navy, pink and cerise) from my stash to make a new warp. I put the coloured yarn in randomly thought I did check for patterns that might inadvertently creep in. Sett was 15epi.
I chose a Lincraft yarn 100g, 100% wool $1 from the op shop for weft. It’s a pale green shade to calm the vivid warp colours. I like the colours of the warp in the fabric, but felt they were too riotous for a fringe. Instead I went for a hemmed finish using the Java tone of Bendigo three ply that is also in the warp.
The finshed scarf will be a gift for an overseas friend.
There is a slight iridescence here that I really like