This scarf uses Bendigo 3ply for warp and weft and includes an ombre wool blend in the weft.
I love the drape and softness of this scarf but my next project will be focussed on achieving a better selvage. In attempting to avoid draw in I have gone too far in the other direction and have loopy selvages. My weaving mentor suggested weights on the selvages and I will also look at the angles and how snugly each pass fits at the edge.
Keep going, keep making, keep improving.
Queensland weaver Kay Faulkner passed away unexpectedly on Friday 31 May 2019. I learned of her passing from a post made to her blog by her children and I am deeply saddened.
I am saddened that the weaving community has lost such a skilled and passionate member, saddened that her children have had to deal with the sudden loss of their beloved mother and saddened that I will never again have the opportunity to appreciate the community and learning opportunities that Kay offered via the classes she taught at her home studio.
I can’t speak of Kay’s full professional and artistic life as I met her first in 2017 when I was a participant in her linen and lace class. She taught that class from her home studio in Birkdale, Queensland but frequently also taught and presented at workshops and conferences locally and at international weaving events. She brought weaving into the public eye and will be remembered for promoting dying and weaving as a teacher and an artist.
In recent times, Kay wove the wool and silk cloth to be used on High Court judges’ robes. This work put her and the art and craft of weaving into the media spotlight in Australia in 2016. I had the opportunity to see and handle one of the samples of this cloth and the pictures can’t communicate how supple and light the cloth felt in my hands.
Kay is survived by her son Andrew and her daughter Helen. Her loss will be keenly felt by her immediate family, and also those to whom she was a loyal friend. The loss extends to the wider weaving community both in Australia and overseas.
A version of this obituary has been submitted to the editor of the Victorian Handweavers and Spinners Guild for possible inclusion in the July 2019 edition of their newsletter Treadles. At the time of this blog post the July Treadles had not been published.
I had a lot of warp yarn left on the loom after my friend finished her wrap, but not enough to make another scarf without making some adjustments.
I decided to take the remaining warp off the loom and add more colours to it. I used fisherman’s knots to add in three new warp colours (navy, pink and cerise) from my stash to make a new warp. I put the coloured yarn in randomly thought I did check for patterns that might inadvertently creep in. Sett was 15epi.
I chose a Lincraft yarn 100g, 100% wool $1 from the op shop for weft. It’s a pale green shade to calm the vivid warp colours. I like the colours of the warp in the fabric, but felt they were too riotous for a fringe. Instead I went for a hemmed finish using the Java tone of Bendigo three ply that is also in the warp.
The finshed scarf will be a gift for an overseas friend.
There is a slight iridescence here that I really like
A friend in my neighborhood was keen to try her hand at weaving and I was keen to try my hand at teaching. Perfect!
The picture above shows the loom set up for her to start her project, a wrap or scarf.
It was made with a lovely soft mohair wool blend doubled as weft and Bendigo three ply as warp. As I like to do for low stress weaving, I threaded dark grey on shafts 1 and 3 and java on shafts 2 and 4. The sett was 10 dpi.
We only had two 50g balls of weft yarn and when it ran out, that was the end of the project.
My friend is thrilled with what she achieved, as she should be.
My friend almost always wears black
Not bad, is it?
This year I again took a week out to focus on a new structure under the expert tuition of Kay Faulkner. This time the structure was doubleweave, something I had long wanted to try, entranced as I was by the marvelous deflected doubleweave items I had seen online.
Accommodation in the Birkdale area is a mild problem in that almost all options require you to have a car to get to class. This year I shared accommodation with Barbara, a fellow linen and lace graduate who lives in Queensland. We were able to spend time discussing all elements of weaving, day and night and enjoyed sampling the many restaurants in the area, with Barbara very capably driving us everywhere we needed to go. I know she reads this blog so thanks Barb!
I enjoy the intensity of a week long class structure and the ability to move from loom to loom to try different applications. This time was easier for me as I had with some familiarity with both Kay’s looms and her teaching style. The winner project was window panes, which still seem like complete magic, even now I know how they come together.
The editor of the Victorian Handweavers and Spinners Guild newsletter declined my offer to write an article about my experience of the linen and lace class I attended at Kay’s studio last year, on the grounds that it might be seen as promoting a competitive source of weaving education. Dear readers, may I say that I thoroughly recommend that you attend one of Kay’s classes if you are able to get to Birkdale (in the Brisbane area) and can afford the time and the (very reasonable) class fees. I do not feel at all disloyal to the Guild in making this recommendation.
The two rag rugs I completed this week were closer to the kind of result I have been aiming for but had not quite achieved. The rugs used a double thickness of weft, made up of old business shirts and old sheets cut into 1 inch (2.5 cm strips) sewn together. The two weft strips were of different fabrics in the yellow toned rug and I am very pleased with the variation in tone that this achieved.
Folded hems extend the life of the rug
Use of a temple keeps the edges even and prevents draw in
Close up of the rug and the rose path border
I chose to make folded hems as it’s likely they’ll end up as bath mats and experience has taught me that a fringed finish is like a magnet for fluff. Also I expect a folded hem to wear very well.
The new pro-tip from this project was serging (overlocking) the ends of the rug when they came off the loom. This gave me a tidy finish and secure ends.
Sett was 10 dpi in a 10 dent reed, threading was rosepath over 8. Warp 8/4 cotton in blue.
This year I joined the Handweavers and Spinners Guild of Victoria summer school workshop impressively titled Sheer Delight- Transparent Weave Inlay Techniques.
We warped our looms with a fine linen and learned how to use inlays in different colours and textures to make pictures or room dividers.
I’m generally more of a weaver of household items and I enjoyed being taken to a new place with my weaving. It’s probably not a technique I’ll use again soon but I’m happy to have a new technique in my repertoire.