This gentleman’s robe is made in a robust flannel and is based on Butterick Classics pattern 6968.
I made a few modifications as the pattern I purchased from my local thrift store was a Medium and my beloved would typically wear a size L or XL, depending on cut. He also wanted a shogun-style robe which to him meant belt loops over the hips and no patch pockets. Patch pockets would be a risk – one bad interaction with a door handle and the patch pocket would be but a shadow of its former self.
- added belt loops. You don’t want your belt dropping in unguarded moments.
- the belt has an inner core of calico for strength and to increase longevity.
- pieced front band. The band is not matched. I don’t care and nor does my beloved. This was a design choice.
- no cuffs on the sleeves. Cuffs on a robe just get in the way, in my experience. Unless you have domestic servants. We don’t. We have to do our own dishes and then cuffs definitely get in the way.
- added 1 inch of width from shoulder to hem for increased coverage and comfort.
Do your projects sometimes take on a life of their own? This one did for me. It was intended to be a prototype but ended up as a project. Here’s the story:
I wanted to be true to the origins of the hanten jacket, a padded garment traditionally worn by workers.
Being true meant adding batting, which added complexity and a need for quilting.
Adding batting meant adding a lining, which for me was unbleached calico from my stash.
Following tradition meant having a contrasting neck band, which I read about online.
Being thrifty meant finding a wooden barrel button at the ops shop (charity shop.)
Using a button closure meant braiding a round kumihimo eight strand braid for the button loop and button band.
Using a round kumihimo eight strand braid closure meant learning how to transition that round braid to an eight strand flat braid so I could comfortably fit it under the sewing machine presser foot to attach it to the front band.
And dos it goes….
Pattern Source: Clothing from the Hands that Weave by Anita Luvera Mayer from Kay Faulkners extensive library.
In progress. I later swapped the fabric hanging loop for a braided one. Prototype closure elements.
Quilting template and kumihimo disk. 3/2 cotton for the braids.
Animal Print Scrubs Top
In the sleeve photography and on the pattern envelope, Simplicity 4101 bills itself as a pattern for unisex work wear. If you are sewing it for a man or woman of small to average proportions, you would be wise to check the fit before you start cutting the fabric.
While non-stretch work wear needs to have a lot of wearing ease to allow movement, even the small size of this pattern was too large for me to use unaltered.
For my size 14 frame, I adjusted the small size pattern by removing 1 inch horizontally at the armscye and another 1 inch horizontally at the waist, and took a further 1 inch out of the garment width, from shoulder to hem on the front and back, with corresponding sections taken out of the front and back sleeve.
This resulted in a scrubs top that still had a dropped shoulder and still had plenty of wearing ease but which was roomy without being oversized. It’s a comfortable fit, even with the modifications I made.
The pattern illustration shows the woman wearing the crossover style with a tee-shirt underneath. There’s a reason for this. A tee-shirt would be good to preserve modesty when bending over, as care and health workers often have to do. Even then, the flapping front would get in the way. I chose to solve this problem with a snap fastener where the right and left front crossed.
I was happy with my decision to use cotton twill tape instead of facings at the front and I used a bias edging at the back neck, again instead of a facing. This reduced the garment’s bulk and gave me a better line.
The roomy pockets are perfect for work-wear though next time I would probably also add some a tape to affix an ID card on the front chest.
I made this scrubs top as a skill building exercise and to practice pattern alternation. Now that it’s done I will use it for lounge wear and doing home-based chores.
This apron was based on Kwik Sew 2311. I’ve been wanting to make a cross-over apron for a while and had been planning to draft my own, until I discovered the pattern in my collection.
I avoid using bias binding as the commercial product tends to be poor quality fabric and it’s almost always too narrow for my purposes. I usually make a hash of attaching it, too, so used a Hong Kong finish at the neck and along the arm and double binding on the back and hem.
The binding fabric is remnant from Spotlight, of Premium Cotton Sateen in Wedgewood colour, purchased for $1 when they had all their remnants on sale, but normally priced at $16.99 per metre. The binding fabric width was 127cm. I was only able to verify that the fabric was 100% cotton after taking it to the register and asking the staff to scan the bar code, which fortunately was still attached. The fabric seemed to have some spandex in it as it was moderately stretchy and I was able to cut my binding strips on the cross grain.
Next time I would stay stitch the neck before attaching the binding. I might also play with the back shoulder component of the pattern to make it curve a little more, for a better fit to the body.
I omitted the button closure in the original pattern. Closures on aprons can so easily open at the wrong time, not something I want in my workwear. It’s easy to put on and take off without the button closure in the original pattern. I did test that before sewing the shoulder seam.
This has already proven itself to be a very wearable summer dress. I found the pattern at my local thrift store and used the smallest multi-size available, which was 16.
I read recently that the big pattern companies haven’t changed their sizing in a very long time and that you need to use the measurement charts rather than your normal dress size when selecting a pattern. Based on this experience that sounds about right. I wouldn’t buy a ready-made garment in size 16, but this dress was a reasonable fit. Admittedly it is designed to be loose fitting, so there’s a bit of intended wiggle room (aka pattern ease).
Pattern and construction adjustments: roughly two inches of length removed from the bodice, bust dart extended, longer zipper than recommended as I used a zipper from my stash, no hook and eye closure above the zipper, French seams on the side seams which resulted in seams of about 1.8cm instead of the called for 1.5 cm.
What I would do differently next time: slightly lower the bust dart, make a small full bust adjustment, better workmanship on the zipper, stronger stitching at the start and end of the sleeve, follow the construction instructions.
I got myself in a spot of bother by inserting the zipper before sewing the neck/arm facing, which meant I couldn’t turn the two back sections through the facing. I got out of trouble but not turning the facing at the armscye and instead sewing through all thicknesses from the right side. developing the solution took a bit of thinking and was a valuable learning experience. I should, of course, have anticipated the problem, but I didn’t.
I had the perfect button in my button box
This dress was my first project with my new Janome sewing machine. Rather than spending time sewing scraps I decided to just get on with a real project to get familiar with the machine. I had to unpick a little more than usual but I had a wearable dress at the end of the process. Happy with that.
I’d made this pattern before, for a trip to Cambodia, where it’s traditionally required that you be modest in your dress. It’s a society where even today a married couple wouldn’t hold hands in public, though I suspect that might be changing rapidly due to the influence of overseas media and foreign visitors.
The tunic I made then served me brilliantly for our trip to Angkor Wat, where it was very hot and humid. That was a few years ago now and the old tunic needs to be replaced. I haven’t thrown it out yet and I may still rip it up for a rag rug, assuming one day I become the proud owner of a loom. The loom purchase is in plan and I’m waiting for one to come up second-hand at the right price.
I found some fabric called modern tribal on sale at Spotlight and made up the top again, this time cutting it a little smaller than the first one, which was a touch generous.
Last time I sewed this pattern, the front opening gave me a bit of difficulty. This time, I used a trick I picked up in a book or on the internet and sewed just a couple of perpendicular stitches at the point. Those couple of stitches gave me just enough clearance when it came to cutting the slash and turning the facing. That gave a nice clean look at the front though it’s hard to see on the photo.
With a bit of luck, I’ll be able to give it a trial run later this week.
I put a lot of effort into this top. All the seams are neatly finished using my shiny new overlocker (serger) and I think I did a nice job of the hand detailing along the neckline.
Pretty, isn’t it?
Simplicity 2230, started life as a plus-sized pattern and was, I believe, graded to a misses pattern. But Simplicity did a poor job of that grading process and the pattern remains more appropriate for the generously proportioned. While I certainly suffer from a bit of quilter’s butt, nothing changes the fact that this tunic drapes at the shoulders and is simply too wide for me.
I cut it to the size that the pattern sleeve indicated was right for my measurements – a standard size 14, but with a little length removed from the sleeves and bodice, as I’m not as tall as some. It should have fit, but it doesn’t.
I’m hoping it might work for my mother. If not, what? Etsy maybe?