Japanese Triangle Bag – Sankaku Bukuro

Just for fun I thought I’d make a Japanese Triangle Bag this weekend. CocoStitch has a tutorial for a single thickness bag and Burda has instructions for a reversible bag. I chose to make the reversible bag.

I’m not sure this one’s a keeper for my own use. The handles are too short for me to find useful and the width height ratio doesn’t work for me. It would make a great knitting bag but I don’t knit.

I might try a tote next. This shopping tote pattern from Earthgirl looks promising. 

triagle knitting bag 

Book Review: Learn to Weave by Anne Field

Anne Field learn to Weave Book

Highly recommended!

I borrowed Learn to Weave by Anne Field from a Melbourne library and I am impressed. I wish I had had this book when I did my first learn to weave class because it is particularly specific and useful. It covered a few basic items I wondered about at the time such as how to join weft threads. It also described different shuttles and what uses each is best for, something I don’t recall seeing in other beginners’ books. The projects step you through the weaving a plain weave scarf, adding patterns in a set of place mats, and some lovely dish towels, plus some wearable projects. I’m personally less enthusiastic about the garments, though I’m impressed at how quickly the concept of double weave is introduced, as part of a wrap project. The projects are very well described and give you the specifics of the materials, to the level of how many grams of each yarn you require. There’s a lot to learn from those details as a new weaver. Sadly, Anne Field passed away a few years ago. She had a fine reputation as a spinner, weaver, teacher and author and was greatly admired. I plan to buy this book.

Queen Victoria’s Undies

girdles at teh Powerhouse MuseumIt’s hard to imagine the horror and outrage Queen Victoria would feel at the thought of her undies being on display, but on display they are, at Sydney’s Powerhouse Museum.  I went to see them at an exhibition called Undressed: 350 years of Underwear in Fashion, described on the Powerhouse web site as:

this exhibition features more than 80 garments from the V&A’s extensive collection of underwear, many which have never before been on public display.

The exhibition is fascinating in terms of the garment construction and design but there was a slightly voyeuristic feel to looking at garments that were never intended for public view. Not only would Queen Victoria be horrified at us looking at her undies, undies that have an open crotch seam  but she would be further outraged at our reaction to that open seam, which in her day was considered a healthy approach and a practical one, when dealing with massive skirts and layers of petticoats. At the Powerhouse I learned that knitted rather than woven underwear was considered a great innovation, something I think we can all agree with. What I hadn’t realised was how early this innovation occurred. A set of Machine Knitted Mens’ Drawers from the 1851 Great Exhibition was one of the items on display. Bonds Underwear at the Powerhouse Museum As photography was not permitted for the V  & A items I took photos of the associated displays of 1950’s foundation garments and modern Bonds brand underwear.

Inkle Weaving Progress

Jean Williams, who blogs as Jean Weaves was kind enough to leave a comment on my blog post about inkle weaving. It’s great to have guidance from a more experienced weaver. Thank you Jean, for suggesting I try working with some smooth cotton instead of sticky linen.

Inkle weaving on the loom


The photo to the left shows the progress I’ve made since my first experiment.

I heeded Jean’s advice and took myself off to my least favourite yarn store, Spotlight, to buy some cotton yarn. Spotlight being Spotlight the best I could find was 50% cotton 50% acrylic, but they had a 30% off promotion running, bringing the cost of my next experiment down to single digits.

The other thing I did was check in with the inkle lady at the Handweavers and Spinners Guild weaving open day a couple of weeks ago. The event was a huge success, drawing all manner of people off the street to come in and have a go at weaving on the range of looms they had set up. Good on the organisers for having the passion and drive to try an open day. I hope they felt the planning effort was justified.

Here are the results of my latest efforts. The blue toned one is the Spotlight yarn, the pink one is made using crochet cotton.

Two bands woven on an inkle loom

Crochet cotton, top  garment weight cotton and acrylic blend, bottom.

Next step, pick up.

Volunteering at Miss Fisher’s Costume Exhibition

This week I had the opportunity to spend another day greeting visitors to the National Trust Property, Rippon Lea. This year the exhibition was of costumes from the popular ABC television series Miss Fisher’s Murder Mysteries.

While I was there I had the honour of meeting Marion Boyce, costume designer for Miss Fisher’s Murder Mysteries.  She was every bit as vibrant and pleasant as this video indicates and was happy to answer my questions, even though I was just a lowly volunteer.

I spent part of my volunteer day in the accessories room, guarding Miss Fisher’s pearl-handled pistol which was required to be under supervision at all times there was a visitor present, even though it was secured in a glass case. The rest of my time was spent out with the garments, mostly in the room set up to look like Marion Boyce’s work room. She told me that each episode must be put together in 16 weeks, so her work room must be a busy one. The exhibition work room was a popular part of the exhibition that inspired many of the visitors to remember the hat boxes and dresses in their own family histories.

Here are a few photos of the costumes. All were constructed to a very high standard. Godets and bias cuts featured strongly in the dresses and boas and scarves accentuated most garments.

Photography was permitted (no flash) so I took may chance after the exhibition closed.

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Inkle Loom Off-Grid Experiment

I bought an inkle loom at the Handweavers and Spinners Guild Textile Bazaar a year or so back and at some later stage I got my hands on a copy of Inkle Weaving by Lavinia Bradley. It’s not a bad book but it could be improved by taking a detailed step by step approach to key elements such as warping the loom.

inkle loom warped with linen

I decided that this morning would be a good time to have a play. The power was out at home so it was a perfect time to sit down by the window and try an off-grid experiment.

First I made my leashes – single loop string heddles, made by making a circle between two of the pins on the inkle loom and tying them off with a knot. I used surgeon’s knot rather than a reef knot and an ashamed to report that my knot work was so poor that one of my leashes came apart in the first 15 minutes.

For the warp I used a linen that was uneven in thickness. It wasn’t a great choice and for my next attempt I’ll probably grab some cotton or wool, something that’s a bit thicker than the linen. I found that the sheds were hard to open as the linen was a bit slubby. The knots on my leashes didn’t help either and I should have placed them out of the way.

close up of the inkle look braid

Next time try a thicker warp

I tried three wefts, a very fine one cotton one, a slightly thicker cotton one and then a thicker woolen one. This was the only weft that gave an even remotely satisfactory result.

It was a good start and I learned a lot. With a different warp and weft selection I’m hoping the result of my next experiment will be at least be usable.

The inkle loom is simple technology, and easy to learn, but mastery clearly takes more than a couple of hours. That’s a lesson I have to re-learn frequently.

Hidden Treasure

Forgive me, dear readers, for the long break between posts. Life got in the way rather badly and there have been very few opportunities for creative output this year so far. In fact there have only been limited opportunities for that poor substitute– buying craft books and supplies. I did make it along to the Handweavers and Spinners Guild Textile Bazaar in early May, where I found a fantastic Handwoven magazine from the 1980’s with a technically detailed write-up on twills which was well worth the $1 investment.

Life got in the way in terms of three funerals in the last 6 months, one of which I officiated. It is truly surprising what you can do when you have to. I would never have thought I could run a funeral service but I had had enough recent exposure to bereavement to be able offer to officiate as a service to the bereaved husband.

Back to the business of crafting, I transported a framed family photograph in a suitcase recently and the glass shattered in transit. Intending to replace the glass, we removed the backing on the frame and found hidden treasure.

Hidden Treasure Revealed

Hidden Treasure Revealed

The photograph I was transporting was taken in the 1940’s or 1950’s I believe and by that time this souvenir weaving from the 1909 Stockholm Craft Exhibition must have been so old-fashioned, so my ancestor flipped the sturdy cardboard around and used the souvenir silk weaving as a backing board for the photo. According to wikipedia the exhibition featured all kinds of interior design, crafts and architecture, and had a restaurant illuminated by that great new invention, the electric light. The photos on the wikipedia entry show that the weaving is of buildings erected for the exhibition, possibly the main entrance or what is called the terrace in the photo below, licensed by under Public Domain via Wikimedia Commons.

“Konstindustriutst 1909 terrass” av Svenska Slöjdföreningen – Svensk Form, Stockholm.

As an additional bonus, the weaving was made by Almgrens weaving works that we visited in Stockholm in 2013.